Monday, 23 November 2009

A&R Dickheads

If you are an artist, producer or musician, beware of the people that come up with any of these "buzzwords" I usually use these words as a bullshit detector, because the people in this shallow music industry who speak this bullshit are normally the bullshitters. Theses are not made up, these are genuine phrases that I have been victim of. So here we go...Here are my top 10...Don't trust anyone who says ANY of these.

10. "No Brainer" eg."He can mix the album by next week...Seriously, it's a no brainer"...

9. "Blue sky thinking" eg. "We need to take this urban talent and give it some blue sky thinking"...Oh fuck off!

8. Beware of words like "Urban" "Showcase" & "Talent" In the same sentance, all of these words should tell you that there is no oppertunity to be gained. eg.
A&R/Promoter: "Hi SoulP! We've got this showcase for unsigned, urban talent, are you coming?"
SoulP: "No, I'd rather drink my own piss thanks" ...What this geezer has just said, tells me it's gonna be it's gonna be average. Am I wrong?

7. "Think...Out the box" If somebody ever tells you to "Think out of the box" they are really telling you not to have your own imagination...They're telling you that their ideas will be much better. Its a control buzzword, often used in this scenario eg. "I like your ideas. but let's try thinking out of the box on this one" ... I get so angry when I hear this one that sometimes I think about slapping them round the face...

6. "At the end of the day" Normally used to summerise a meeting. "At the end of the day, the long and short of it is, that there's just no market for it...Soul music just doesn't sell" I was actually told that by a complete twat who shall remain nameless for legal reasons...You know who you are... You probably don't actually, cos you've said that shit to thousands of people for years.

5. "Ping" Or "Shoot" you an email... If anyone tells you that they'll ping, or shoot you an email...They probably won't...I prefer to "send" or "fire" emails accross personally... Also don't ask me to "Touch base" with you either.

4. What the fuck is "Chillax"... That's just stupid...

3. "Hook up" or "Do lunch".... NEVER hook up or do lunch with anyone...I prefer to meet up and have lunch..... And if anyone ever asks you out for "Brunch" tell them to fuck off.

2. "Lets raise the anchor and let this one drift" This one should only be used if your either a sailor, a boat owner, ..Or a pirate...However if your a complete cunt, this works great as well.

1. "I don't say this very often, but this song has number one written all over it"... This usually means that it wont.

SoulP's advice is to always be aware that 90% of managers and record label people are out to musically rape you of your sound, talent, passion and your integrety. These people arn't even musicians, so they have no right to tell you to change anything that your musically proud of.

Realise that you can now sell your music without having to rely on a record label and that you can have your own publishing, your own online shop and your own image. Just steer clear of labels unless they offer you a deal that you just can't refuse.... But if it sounds too good to be true, it normally is....

SoulP

SoulP's Summer Madness Free Download



...For the next 14 days, my version of Kool & The Gangs "Summer Madness" will be available for free download. The download link is below the video.

Wednesday, 4 November 2009

Soulacoaster Quotes

I've been fortunate enough to have some good reviews... No bad ones yet, fingers crossed!... Here's what's being said about it.

" Soulpersona is family to me and if you have not got his new album you are missing out on the some of the best music that I have heard in the past year or so! Soul Music is so important for all of us right now,it shares alot of the passion and heartache and love that we all are going through and listening to Soulpersona's new album SOULACOASTER, it's taking me right back to that good ole soul sound that makes me want to groove and dance! Ya'll better Hur-rup and get cho CD TODAY!! YOU WILL LOVE IT!!"
Jocelyn Brown. Singer/Songwriter

"Warm, fuzzy, danceable, sexy soul music"
Garth Trinidad Deejay/Presenter KCRW

"Sounding wicked mate i must say loving it all!!!"
Derrick McKenzie. Drummer Jamiroquai

"Just finished listening to SoulPersona's new album Soulcoaster, and it is one of the best British soul albums I have heard. The sound quality, the music, the singers, the vibe, the instruments, consistency.
Boy!!! England is in for a surprise when this shit comes out"
Diane Laidlaw, Female Beatmakers, Dj/ Presenter, Playvybz Radio

"Head on over to Digisoul to grab your copy now, if you don’t then your going to have to live with the fact you have missed out on one of the standout albums of 2009"
Soul:UK

"A profound LP that captures the essence of soul, jazz, funk, disco and hip hop."
Soulbounce.com

"Soulacoaster” is a prime example that you don’t need a major label to deliver quality music for people to enjoy"
Todd Kelly. Flowlink

"The album sounds fantastic, they are flying out, we are going to need some more real soon!"
Soulbrother Records

Saturday, 31 October 2009

The Struggle

...Why do I hear so many artists harping on about the "struggle"?... Moaning about how hard it is to make music and get it out there. To me the struggle is a brilliant part of becoming a musician. It's the part where you really learn about what you are doing, and put every bit of passion you have into everything you do. Like a footballer has to josstle for his place in a football team, a musician has to raise his or her game to be recognised. This is the music business, probably the one of the hardest busnesses in the world.

Some musicains and artists moan about struggling so much, it becomes all they talk about, all they think about. Try using the "Struggle" as inspiration. For me it's the most enjoyable part, it's a time to find your strong points, assess your weak points, hone your skills and find your sound. If your going to be a boxer and fight an opponent, you have to train if you want to stand any chance, you can't just jump into the ring with no preperation.

"Struggling" also makes you stronger, shit, things are looking up for me at the moment, but i'm still struggling. The difference is that I love the "Struggle" because every day i'm thinking about how the fuck to get out of it. The music buisness is like a game of chess, you have to be patient and wait your turn. Frustration, depression and anger are themes that run deeply through my productions. Shit, I locked myself away for a year of my life when I first got some recording equipment, i lived off a credit card, smoked copious amounts of ganja, grew a beard and made music every fucking day!... I didn't really have a clue what I was doing, I was just making music that I loved and really didn't give a shit about the bigger picture. That for me was a "struggle" because I took a gamble, but thinking back it was a great moment of my life. For the first time ever I was making music that I wanted to make with no-one telling how I should be doing it. I was in musical heaven, and quite litterally couldn't give a fuck what happened in the future.

My point is to embrace the struggle instead of winging and harping on about it. If you work hard and love what you do, keep doing the same thing, enjoy it, write about it, spill your heart out, the "Struggle" is just the begining, it's what we all go through to become what we are. "Struggle" is standard, your not alone. Remember that.

Monday, 26 October 2009

Drums & SoulP

I promised myself that if can i'll try and write at least a paragraph of stuff a day. So today i'm gonna talk about live drumming. As well as producing music I am originally a drummer, I played on tabletops and ice cream tubs as a kid, but when I was 11, a youth club I attended gave me a drum kit. I had never played an actual drum kit before and I still think about those first moments quite often. I remember setting it up so it looked like the drumkits I'd seen on Top Of The Pops, and when I had set it up, I sat behind it and it just came naturally. I'd never had a lesson (apart from a couple of snare drum technique lessons, parradiddle's, two stroke rolls etc) and the whole thing just seemed so natural, almost as if i'd been playing for years... It was the best feeling in the world, and i'm glad to say, that it still is..

As the next few years past, I played almost every week for one band or another, Rock, Punk, Metal... Anything in fact!... As long as I was playing drums, I really didn't give a shit, as long as I could play. At home I was restricted to 30 minutes after school becuase we had grumpy nieghbours who went mental if I played any longer!

At school I was a dreamer. I used to sit by the window gazing out accross the playing fields imagining what it would be like to be a proffessional drummer. I'd often fantasise that I was going to live some rock and roll lifestyle, filled with late night recording sessions, album tours, beautiful women etc etc... As I said, I was a dreamer.

I'd get home and go straight into the spare room where my drums were set up, i'd go to my Dads Hi Fi and stick in a tape or put on one of his records.. Which didn't work too well as the records always jumped with my kick drum vibrations. I quickly learned that a two pence piece sat on top of the needle cartridge ammended this problem.

I played along to Jeff Lorber, Phil Collins, Bob James, Chris Rea, Level 42, Hall & Oats... You name it, if it gave me goosebumps, I was piping it through the headphones, closing my eyes and playing along. Often imagining I was the drummer playing it at a live show... Sad eh?

Anyways, to cut a long story short, in my early teens I met a bass player with the same passion as me, we loved the same bands and when he sat in his bedroom and played me the Level 42 track "Children Say" bass lick for bass lick, whilst singing, I knew that we were gonna be in a band together... This bass player was a 14 year old kid called Paul Lancaster, you might know him now as Punk Pappa of Wonderlush. We have been friends ever since and have recorded countlesss songs with one an other...

As the years past by, I gradually played drums less and less. I was busy being a teenager, getting drunk, pulling girls and getting into trouble, I played drums now and again for favours, but i'd never found a band that I wanted to be in. I was craving soulful, jazz funk bands, and where I grew up the most soulful you got was "Mustang Sally" ... Then the drumming went dry.

15 years later in 2008, myself Punk Pappa (bass) and another old friend Richard Molyneux (Guitar) got together for a jam. Also at the jam was my good mate Michael Rendall (Jackanory) who is one of the finest keyboard players i've ever heard. Watch out for his name cos this boy is gonna be huge. Trust me.
I hadn't really touched a kit for soooooo long, and neither of us had played as a band before. I had just sent one of my songs to everyone beforehand as a groove reference. We mic'd up the instruments, and pressed record... And this is what happened and it felt so good!

So just to re-cap:

Bass: Punk Pappa
Guitar: Richard Molyneux
Keys: Michael Rendall
Drums: Me, SoulP

Hear what happened, below.

Sunday, 25 October 2009

Free Download


To celebrate the launch of Soulacoaster, here's a free download of my Leroy Hutson re edit of "Lucky Fellow" it will be available for 14 days until the link expires. Thanks to everybody that has supported and purchased Soulacoaster so far and if you haven't got it yet, you can by going direct to digisoul @ www.digisoul.co.uk

Download your free "Lucky Fellow" Soulpersona Re Edit here:

http://www.yousendit.com/download/Z01NZHltcWZwM214dnc9PQ

Hope you enjoy reading the blog.

Love & Goodness,

SoulP

Saturday, 24 October 2009

Leroy Hutson "Lucky Fellow" SoulP Re-Edit

A little something I did for the love of such a wonderful song. This track gives me goosebumps from start to finish, the lyrics and sentiment are deliciously delivered by the straight talking Mr Hutson. This is the ultimate love song, with no fucking about or word mincing.
...Anyways, I thought I'd take it upon myself to do an extended version with a bit of SoulP flavour to show my respect. If you don't have this man's work already, you can find his albums on itunes, and trust me, you won't be dissapointed.